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InarticulateQuilter
InarticulateQuilter
@inarticulatequilter@mastodon.art  ·  activity timestamp 3 days ago

#CelebratingBlackQuilters
#BlackHistoryMonth

Wini “Akissi” McQueen (1943-) still has bits of the quilt she made at six with scraps her grandfather brought home from his work at a cotton mill. The Howard alum, who found a home in Georgia, used hand dyeing/image transfers in her early quilts though her recent work has explored more conceptual ideas

Representative work:
Ode to Edmund
Cotton/Photo transfer
40” x 61”
1992

More info:
https://historicmacon.org/wwwhistoricmaconorg/blog/2022/11/3/thats-how-we-survived

Photo credit: High Museum

#Quilting

Untraditional African-American column quilt from the artist’s Urban Kente period. The red, white and blue quilt honors an enslaved man, Edmund G. Carlisle, who taught himself to read and write and who was brutally punished for it. Blocks in the quilt include blue processed photos, hand dyed fabrics, symbols and text. Many of the photos are of 1850 daguerreotypes of enslaved people from a South Carolina plantation and the text includes stories from formerly enslaved people recounting their lives
Untraditional African-American column quilt from the artist’s Urban Kente period. The red, white and blue quilt honors an enslaved man, Edmund G. Carlisle, who taught himself to read and write and who was brutally punished for it. Blocks in the quilt include blue processed photos, hand dyed fabrics, symbols and text. Many of the photos are of 1850 daguerreotypes of enslaved people from a South Carolina plantation and the text includes stories from formerly enslaved people recounting their lives
Untraditional African-American column quilt from the artist’s Urban Kente period. The red, white and blue quilt honors an enslaved man, Edmund G. Carlisle, who taught himself to read and write and who was brutally punished for it. Blocks in the quilt include blue processed photos, hand dyed fabrics, symbols and text. Many of the photos are of 1850 daguerreotypes of enslaved people from a South Carolina plantation and the text includes stories from formerly enslaved people recounting their lives
Historic Macon Foundation

‘THAT’S HOW WE SURVIVED’ — Historic Macon Foundation

For Wini McQueen, it’s all about the story. And she’s got plenty of them to tell. Forging a working life as a fabric artist — “I really call myself a fine artist” — seems meant to be. But she does far, far more than just sew fabric squares together. In all her work, she’s stitching together storie
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